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The process of design is not stagnant. It is static and impulsive. It undulates and moves inconsistently. It morphs and shifts. This process is not a stringent list of rules but rather a journey to create a solution to the problem presented at the site. A designer moves sporadically without a set path. He can move forward and regress reaching different conclusions about feasible buildings forms and spaces. He can explore different methods of abstraction, such as diagrams or sketches to CAD drawings and three-dimensional models. With ever-changing technologies and advances, new programs can expedite this process of design. However, these programs cannot do the designing themselves. Their purpose is not to create design but rather be a tool in the representation of an idea or concept. These programs act as generative tools. They possess the power to quickly and efficiently produce drawings and models. Computer aided design programs allow the designer to explore multiple options and variations of an initial plan. The designer can make multiple generations and then evaluate them to discover the workable elements. Digital media is crucial in producing mass numbers of iterations with the same conceptual backing. The designer controls the iterations but is able to copy and mirror elements with the assistance of computer design programs. The designer also has the ability to manipulate the environment. Technologies allow models to be put under the forces of gravity. Designers can also test their models against sun and wind patterns. All these environmental elements aid in the refinement of the initial concept. They allow an idea to be fully developed and explored at the given site. Digital work is comparable to laboratory work. Technologies allow designers to continually experiment and get feedback in a very short time. Digital work can be moved and edited far more easily than crafted models or hand drawings.  Digital work allows the designer to explore different aesthetics in a particular scheme. He can explore multiple variations of the same overriding concept without having to start over. The different tools of programs such as Rhino or AutoCAD allow the designer to easily create slight mutations of the same concept with ease. The idea behind these digital practices is that a very large number of schemes can be created so that the highest amount of analysis is created. The designer is able to work with the highest number of explorations and schemes. Digital media allows the designer to: take an idea, manipulate it, copy it, mutate it, and build it.